Setting transports readers to a different time and place. I recently saw an article on what reading does for anxious people. That’s me. I’m a worrier. Reading transports me to another place in the blink of an eye. The setting can be familiar or exotic. But it always has to be meaningul to the characters, which in turn makes it meaningful to me, the reader.

As a writer setting is a tool used to enhance characters and their actions and reactions. It drives suspense. It supports the political and social environment of the story. Setting creates a mood or a feeling in the reader. Or I should say this is a continuing work-in-progress.

My fictional setting of Aspen Lake is that of a small resort town on the prairies. It is modeled after a real-life resort town. A place that is near and dear to my heart. I spent many sunny beach days there as child. I worked in the park for a couple of summers as a teenager. I met my husband there. Have camped their with my own family. It is important to me.

But in BACKLASH, Book 1 of my Aspen Lake series, that isn’t the case for my hero, Constable Chase Porter, who grew up with an abusive father and couldn’t wait to leave. Now he’s back and picking up the trail of wanted gang leader and living next door to the girl he left behind.

We’ve all met at least one five-year-old along the way. They’re not the most reliable of narrators. But seeing things through Jack’s viewpoint, his thought process, his dialogue, is what makes this novel the incredibly moving and dramatic work of fiction.

In The Mists of Avalon Marion Zimmer Bradley takes us back to Camelot and the Knights of the Round Table. The Arthur legend is a favourite of mine and has been since forever.  But Bradley’s version is very different and told from the perspective of the women of Avalon. it is a powerful look at double standards, male dominance, and the idea of predicting the future.

And then, in one great act of Druid magic, to protect the last precious refuge of their school, they had made the last great change in the world; that change which removed the Island of Avalon from the world of mankind. Now it lay hidden in the mist which concealed it, except from those initiates who had been schooled there or those who were shown the secret ways through the Lake.

It’s tempting to think of adjectives holding the power when describing setting, but in the above it’s the verbs that grab your attention and hold it.

It was Canada Day yesterday and I can’t think of a more Canadian setting than Green Gables as found in Lucy Maud Montgomery’s Anne of Green Gables. One of my most beloved stories.

To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child’s eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise.

It’s a panoramic look at what Anne, an orphan, thinks is going to be her new home given to us through Matthew’s eyes. The beauty is in the details.

What are some of your favourite fictional settings?

Me! Standing on the spot that inspired Lover’s Lane!